His skies played a particularly important part, from the blue skies and gray clouds with bright sunlit borders (a sight often called in France "a Poussin sky") to illustrate scenes of tranquility and the serenity of faith, such as the Landscape with Saint John on Patmos, painted in the late 1630s before his departure for Paris; or extremely dark, turbulent and threatening, as a setting for tragic events, as in his Landscape with Pyramus and Thisbe (1651). He was also subjected to considerable criticism from the partisans of other French painters, including his old friend Simon Vouet. Poussin fue el fundador y gran practicante de la pintura clásica francesa del siglo XVII. [22] This disappointment, and the loss of a competition for a fresco cycle in San Luigi dei Francesi, convinced Poussin abandon the pursuit of large-scale, public commissions and the burdensome competitions, content restrictions, and political machinations they entailed. He responded by making two self-portraits, completed together in 1649.[29]. A great-grandfather of Vallée Poussin married into the family of Nicolas Poussin, the leading French artist of the 17 th century, and being an artist himself this great-grandfather … Details of Poussin's artistic training are somewhat obscure. 1594 (June) Born near Les Andelys (Normandy, France). Cartwright Hall Art Gallery Dulwich Picture Gallery Leicester Museum & Art … Or, Nicolas Poussin avait épousé en août 1630, une demoiselle Anne-Marie Dughet, dont le frère, Gaspard, devint un de ses élèves, à Rome. 4 janv. 1633 [16], Poussin became acquainted with other artists in Rome and tended to befriend those with classicizing artistic leanings: the French sculptor François Duquesnoy whom he lodged with in 1626; the French artist Jacques Stella; Claude Lorraine; Domenichino; Andrea Sacchi; and joined an informal academy of artists and patrons opposed to the current Baroque style that formed around Joachim von Sandrart. Cowling, Elizabeth; Jennifer Mundy (1990). To thank Fouquet, Poussin made designs for the baths Fouquet was constructing at his château at Vaux-le-Vicomte. Biography. [24], The correspondence of Poussin to Cassiano dal Pozzo and his other friends in Rome show that he was appreciative of the money and honors, but he was quickly overwhelmed by a large number of commissions, particularly since he had taken the habit of working slowly and carefully. [6] Little is known of his life in Paris at this time. 2015 - Biographie et œuvre de Nicolas Poussin (1594-1665) avec de nombreuses illustrations Imágenes Artísticas Del Museo Británico See available paintings, works on paper, and prints and multiples for sale and learn about the … Villers 1594 - Lucina 1665 Nicolas Poussin was born in the Normandy town of Villers-en-Vexin in 1594, where he spent his childhood on his father's farm near the Norman village Les Andelys. Rejecting the seductive attractions of Venetian painting—with its lustrous colour and … The same applies to the second series of the Seven Sacraments, which was completed for Chantelou between 1644 et 1648 and is considerably more solemn than the first (the Eucharist) is a good example as one of the most serious works by Poussin). Nicolas Poussin, né au hameau de Villers, commune des Andelys, le 15 juin 1594, décédé à Rome le 19 novembre 1665, est un peintre français du XVIIe siècle, représentant majeur du classicisme pictural. 1594 (June) Born near Les Andelys (Normandy, France). Self-portrait at the Louvre. Molly Tresadern Find out more. Hic est calix Novu Testamentu in sanguine meo, qui pro vobis fundetur. Poussin seeks to translate the emotions of different people through their gestures and facial expressions: the viewer should be able to feel what is felt by each actor and to decipher their role in history (The rape of the Sabine Women, The Israelites Gathering the Manna in the Desert). Nationality French. Juni 1594 in Les Andelys, Normandie; † 19. Il était le fils d'un noble paysan pauvre et d'un ancien soldat de l'armée royale. In his Judgement of Solomon (1649), the story can be read in the varied facial expressions of the participants. Very little is known about Poussin's early years in Paris, but it can be assumed that the first years in this sometimes unforgiving city were hard for the penniless Poussin, who didn't know a soul. [41], Bacchanale or Bacchus and Ariadne, 1624–1625, Prado Museum, The Triumph of David, c. 1630, Prado Museum, The Four Seasons (Spring), c. 1664, The Louvre, Triumph of Pan, c. 1635, Pen and ink with wash, over black chalk and stylus, Royal Collection, Throughout his life Poussin stood apart from the popular tendency toward the decorative in French art of his time. La citation la plus célèbre de nicolas poussin est : « Ce qui vaut la peine d'être fait vaut la peine d'être bien fait. Thanks to the assistance of a chef, Jacques Dughet, whose family took him in and cared for him, he largely recovered by 1629, and in 1630 he married Anne-Marie Dughet, the daughter of Dughet. Around 1633-1634, his reputation reaches Paris and his paintings are sent by Barberini to Cardinal Richelieu. ): Nicolas Poussin (1594-1665) (actes du colloque organisé au Musée du Louvre par le Service Culturel du 19 au 21 octobre 1994), Bd. On 21 September he dictated his will, and he died in Rome on 19 November 1665 and was buried in the church of San Lorenzo in Lucina. Biography. One of his greatest admirers was Ingres, who studied in Rome and became Director of the French Academy there. Above all the painter finds his inspiration in poetic subjects > The Inspiration of the Poet Blog - A la une. The result does not necessarily convince everyone, but he succeeds in forming a real circle of admirers who are faithful clients and follow him for what remains of his life. Your email address will not be published. His new projects included The Institutions of the Eurcharist for the chapel of the Château de Saint-Germain-en-Laye, and The Miracle of Saint Francis-Xavier for the altar of the church of the novitiate of the Jesuits. Nicolas Poussin was born in the town of Les Andelys in Normandy in June, 1594. He was schooled in many subjects, including Latin and letters, but showed a talent for drawing (he was apparently scolded by his teachers for doodling in his books). [52] Georges Seurat was another Post-Impressionist artist who admired the formal qualities of Poussin's work. [18], Cardinal Barberini and Cassiano dal Pozzo returned to Rome in 1626, and by their patronage Poussin received two major commissions. Nicolas Poussin (1594–1665) (actes du colloque organisé au Musée du Louvre par le Service Culturel du 19 au 21 octobre 1994). Robert Wenley The art of alcohol. Nicolas Poussin [pu'sɛ ] (* 15. Main source (see bibliography): His clientele changes; from this point on, he seems to depend on a circle of experts, including Commendatore Cassiano dal Pozzo who is collecting documents illustrating life in ancient Rome and calls on artists to draw various accounts of imperial Rome: classical sculpture, ancient architecture. He spent virtually all of his working life in Rome, where he specialized in history paintings—depicting scenes from the Bible, ancient history, and mythology—that are notable for … Poussin responded that "he could not and should not imagine a Christ, no matter what he is doing, looking like a gentle father, considering that, when he was on earth among men, it was difficult to look him in the face". Biographie : Nicolas Poussin, né au hameau de Villers, commune des Andelys, le 15 juin 1594, décédé à Rome le 19 novembre 1665, est un peintre français du XVIIe siècle, représentant majeur du classicisme pictural. The figures on the left of the canvas, around Apollo, largely represented vitality and life, while those on the right, around Daphne, were symbols of sterility and death. Serenity and simplicity are found in his figured scenes, eliminating almost all picturesque detail. Unlike the vibrant vivacity of Rubens, the gut-wrenching drama of Caravaggio, or the stunning realism of Velázquez, Poussin's style is cool, cerebral, intellectual and detached. Il décède le 19 novembre 1665 à Rome. For other uses, see. He was the son of an impoverished country nobleman and a former royal army soldier. Among the important works from his later years are Orion Blinded Searching for the Sun, Landscape with Hercules and Cacus, and The Seasons. "Poussin: The Early Years in Rome: The Origins of French Classicism". Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Biography on Wikipedia. Biographie, portrait pour connaître la vie, naissance et mort d'un personnage historique, de notre histoire, célèbre ou méconnu. He broke with all of that falseness". [23], The Miracle of Saint Francis Xavier, 1641, Louvre, Time defending Truth from the attacks of Envy and Discord, for the study of Cardinal Richelieu, 1642, Louvre, Frontispiece for the works of Virgil for the royal printing house, 1641, Metropolitan Museum, As the work of Poussin became well known in Rome, he received invitations to return to Paris for important royal commissions, proposed by Sublet de Noyers, the Superintendent of buildings for Louis XIII. 1624 Claude Lorrain (1604/5?–1682) The Legacy of Jacques Louis David (1748–1825) Neoclassicism ; The Rediscovery of Classical Antiquity; … Biography on Oxford Index . A founder of French Classicism, Nicolas Poussin drew his subjects from history, biblical stories, and Ovid’s Metamorphoses.Poussin moved to Rome early in his career where, inspired by Titian, he painted in a sensual and dramatic style rich in color.He received his only papal commission in 1628 and painted The Martyrdom of Saint Erasmus for the Church of Saint Peter, one of his … Pope Urban VIII died in 1644, and the new Pope, Innocent X, was less interested in art patronage, and preferred Spanish over French culture. [12] He produced few drawings as independent works, aside from the series of drawings illustrating Ovid's Metamorphoses he made early in his career. The Four Seasons (painted between 1660 and 1664 for the Duke of Richelieu) constitute the synthesis of his late style: in a setting emphasising the beauty of nature, the theme of the succession of the season merges with that of hours, periods of human life; the biblical narrative combines with classical mythology in a synthesis between Christianity and paganism. [35], The Empire of Flora, 1631, Gemäldegalerie Dresden, The Rape of the Sabine Women, c. 1638, Louvre. Poussin aimed to achieve a pure and noble style of painting inspired by the classical ideals of ancient art and the work of Raphael. In these paintings, nature takes on a new character: it is no longer orderly and subject to the laws of reason but wild, invading the painting where man occupies an increasingly negligible space. His early sketches attracted the noti… [6], His early sketches gained him a place in the studios of established painters. Nicolas Poussin (1594-1665) biographie Fils d'une famille bourgeoise de Normandie, il quitte à 18 ans ses parents qui n'acceptaient pas pour lui le choix d'une carrière de peintre. Between 1612 and 1621 he developed his skills in painterly education in Rouen and Paris. - ℹ - Biographie : Peintre français (1594-1665) fondateur de la peinture classique française du XVIIe siècle. Vie et oeuvre du peintre Nicolas Poussin. His first successful painting in Rome, The Death of Germanicus, was based upon a story in the Annals of Tacitus. Biography; Works of Art; Artist Bibliography; Related Content Filter results by: Works on View. [12] In The Triumph of David (c. 1633–34; Dulwich College Picture Gallery), the figures enacting the scene are arranged in rows that, like the architectural facade that serves as the background, are parallel to the picture plane. Nicolas Poussin made the painting for Cardinal Francesco Barberini. He painted different versions of the stories of Eliazer and Rebecca from the Book of Genesis and made three versions of Moses saved from the waters. [32], His religious paintings were sometimes criticized by his rivals for their variation from tradition. November 1665) war ein französischer Maler und Zeichner des klassizistischen Barocks. Throughout his career, Poussin frequently achieved what the art historian Willibald Sauerländer terms a "consonance ... between the pagan and the Christian world". Poussin's great patrons, the Barberinis, departed Rome for France. [50] Another 19th-century admirer of Poussin was Ingres' great rival, Eugène Delacroix; he wrote in 1853: "The life of Poussin is reflected in his works; it is in perfect harmony with the beauty and nobility of his inventions...Poussin was one of the greatest innovators found in the history of painting. The foliage in his trees and bushes is very carefully painted, often showing every leaf. Court records show that he ran up considerable debts, which he was unable to pay. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. He was the child of a noble family who had fallen on hard times. Voyage à Rome en juillet 1976 où Robert Tiers, en compagnie de son fils, traque tous les Dughet qu’il peut trouver dans les église de la Ville Eternelle. Die vier Gemälde (Abb. [25], Landscape with Orpheus and Eurydice, 1650–51, Blind Orion Searching for the Rising Sun, 1658, The Metropolitan Museum of Art, The Four Seasons (Summer), 1660–1664, Louvre, When he returned to Rome in 1642, he found the art world was in transition. His work accepted throughout Rome and the larger Italy. Nicolas Poussin Biography. Returns to Paris in December, under pressure from Sublet de Noyers and, indirectly, Louis XIII and Richelieu. In 1627, Poussin painted The Death of Germanicus (Minneapolis Institute of Arts) for Cardinal Barberini. 1594, Les Andelys, d. 1665, Roma) Biography. … [54] In 1963 Picasso based a series of paintings on Poussin's The Rape of the Sabine Women. Anthony Blunt, Art et Architecture en France, 1500-1700, Editions Macula, 2000, Your email address will not be published. Dictionnaire biographique des célébrités et personnages historiques. [47] "Art View; Back and Forth Between Poussin and Cezanne", A 16min educational film about Nicolas Poussin, "The Baptism of Christ, by Nicolas Poussin (cat. [43], During the late 1620s and 1630s, he experimented and formulated his own style. Le jeune homme les quitte alors, ainsi que sa Normandie natale, à l'âge de dix-huit ans. The originality and energy of these paintings (since lost) brought him a series of important commissions. Nicolas Poussin was born near the town in Les Andelys in Normandy in 1594. The success of the Germanicus led to an even more prestigious commission in 1628 for an altarpiece depicting the Martyrdom of St. Erasmus, for the Erasmus Chapel in the basilica of St. Peter’s (now in the Vatican Pinacoteca). Poussin's work had an important influence on the 17th-century paintings of Jacques Stella and Sébastien Bourdon, the Italian painter Pier Francesco Mola, and the Dutch painter Gerard de Lairesse. [40], Landscape with Saint John on Patmos, late 1630s, Art Institute of Chicago, Landscape with the Ashes of Phocion, 1648, Walker Art Gallery, Landscape with Pyramus and Thisbe, 1651, Städel, Poussin is an important figure in the development of landscape painting. He was schooled in many subjects, including Latin and letters, but showed a talent for drawing (he was apparently scolded by his teachers for doodling in his books). Nicolas Poussin's early biographer was his friend Giovanni Pietro Bellori, who relates that Poussin was born near Les Andelys in Normandy and that he received an education that included some Latin, which would stand him in good stead. He works at his own pace for this small base of clients, taking time to prepare each of his compositions meticulously. MMA Bulletin 50. Nicolas Poussin, 1594–1665. Biography; Works; Art Market; design; photography; literature; Nicolas Poussin. Biography of Nicolas Poussin. His works are notable for their dramatic force and narrative … On 15 June 1594 Nicolas Poussin was born in Les Andelys (France, Normandy). He painted the Massacre of the Innocents for the Banker Vincenzo Giustiniani; the jewel thief and art swindler, Fabrizio Valguarnera, bought Plague of Ashdod and commissioned The Empire of Flora. The original family name was Lavallée, a name of French origin. In his early paintings the landscape usually forms a graceful background for a group of figures, but later the landscape played a larger and larger role and dominated the figures, illustrating stories, usually tragic, taken from the Bible, mythology, ancient history or literature. He painted two versions, one in 1634, now in the Metropolitan Museum, and the other in 1637, now in the Louvre. [11], Giambattista Marino, the court poet to Marie de Medici, employed him to make a series of fifteen drawings, eleven illustrating Ovid's Metamorphoses[12] and four illustrating battle scenes from Roman history. [4], He arrived in Paris during the regency of Marie de Medici, when art was flourishing as a result of the royal commissions given by Marie de Medici for the decoration of her palace, and by the rise of wealthy Paris merchants who bought art. Another poem by Tasso with a similar theme inspired Tancred and Hermiene; a woman finds a wounded knight on the road, breaks down in tears, then finds the strength through love to heal him. Venues View all 23. Nicolas Poussin was a French artist known for his paintings and drawings of Arcadian landscapes and historic narratives. Nicolas Poussin est né aux Andelys, dans la région normande, au sein d’une famille noble. Fort Worth 1988. Nicolas Poussin is a French painter who is generally credited for having pioneered the classic French painting style. [44], In contrast to the warm and atmospheric style of his early paintings, Poussin by the 1630s developed a cooler palette, a drier touch, and a more stage-like presentation of figures dispersed within a well defined space. This inspired him for the Greek and Roman … [51], Cézanne appreciated Poussin's version of classicism. A debate emerged in the art world between the advocates of Poussin's style, who said the drawing was the most important element of a painting, and the advocates of Rubens, who placed color above the drawing. His enthusiasm for the Italian works he saw in the royal collections in Paris motivated him to travel to Rome in 1624, where he studied the works of Renaissance and Baroque painters—especially Raphael, who had a powerful influence on his style. Academics have described him as a precise draughtsman rather than particularly technically skilled and the … [49], The 19th century brought a resurgence of enthusiasm for Poussin. To aid him in formulating his compositions he made miniature wax figures and arranged them in a box that was open on one side like a theatre stage, to serve as models for his composition sketches. [23], Bouyed by this commercial success, Poussin bought a life interest in a small house on Via Paolina for his wife and himself in 1632 and entered his most productive period. Yet he also executed more dramatic history paintings, certain of which are overtly inspired by the … [36] Many of his mythological paintings featured gardens and floral themes; his first Roman patrons, the Barberini family, had one of largest and most famous gardens in Rome. From 1612 he lived in Paris and in 1624 travelled via Venice to Rome, where he stayed for most of his life.His sensuous early canvases such as 'The Nurture of Bacchus', reflect 16th-century Venetian art, especially that of Titian. En témoigne l’immense littérature qui lui a été consacrée depuis le 17e siècle. 1612 In Paris, most likely working at the studio of Nancy-born Georges … [13] Marino's influence led to a commission for some decoration of Marie de Medici's residence, the Luxembourg Palace, then a commission from the first Archbishop of Paris, Jean-François de Gondi, for a painting of the death of the Virgin (since lost) for the Archbishop's family chapel at the Cathedral of Notre-Dame de Paris. "Poussin and Nature: Arcadian Visions". Nicolas Poussin (hääldus [ni.kɔ.lɑ pu.sɛ̃]); 15. juuni 1593 või 1594 Les Andelys' lähistel, Normandia – 19. november 1665 Rooma) oli prantsuse klassitsistlikku stiili viljelev maalikunstnik.. Kunstnik veetis suurema osa oma aktiivsest loomeperioodist Roomas, välja arvatud lühike ajavahemik, mil ta oli kardinal Richelieu korraldusel Prantsusmaal kuninga … les oeuvres les plus connues des peintres de l’histoire de l’art (1680) avec Nicolas Poussin (1594-1665) comme Peintre du modèle Following an illness and a wedding, Poussin abandons the large compositions of public orders to concentrate on medium-sized canvases for his group of very prudent collectors > The Empire of Flora, The rape of the Sabine Women, The Manna, 1st set of Seven Sacraments Having more or less become a recluse, working more to satisfy his need to paint than to please others, his final works reflect internal soul-searching. He befriended a number of artists who shared his classicizing tendencies, and met important patrons, such as Cardinal Francesco Barberini and the antiquarian Cassiano dal Pozzo. Poussin est un monde par Alain Mérot Conférences en ligne L’art de Nicolas Poussin (1594-1665) est réputé difficile et réservé aux seuls initiés. "Poussin Drawings from British Collections. The French Baroquepainter Quentin Varin came across his work whilst passing through Pous… There was also a substantial market for paintings in the redecoration of churches outside Paris destroyed during the French Wars of Religion, which had recently ended, and for the numerous convents in Paris and other cities. 1612 His wife Anne-Marie died in 1664, and thereafter his own health sank rapidly. London: Royal Academy of Arts, 1995. Nicolas Poussin was born near the town in Les Andelys in Normandy in 1594. Ses capacités pour le dessin sont vite identifiées et il semble avoir été formé aux côtés d’un peintre local. During this time, he meets his first patron, Italian Giambattista Marino, known in France as the “Cavalier Marin”, poet to Marie de Medici, who commissions him to do a suite of drawings illustrating Ovid’s Metamorphoses. 17-jun-2014 - Nicolas POUSSIN. POUSSIN, Nicolas Helios and Phaethon with Saturn and the Four Seasons c. 1635 Oil on canvas, 122 x 153 cm Staatliche Museen, Berlin En un parcours chronologique qui s’étend de … [34], The most famous of his religious works were the two series called The Seven Sacraments, representing the meaning of the moral laws behind each of the principal ceremonies of the church, illustrated by incidents in the life of Christ. See available paintings, works on paper, and prints and multiples for sale and learn about the … Online Images. "[4] His early sketches attracted the notice of Quentin Varin, who passed some time in Andelys, but there is no mention by his biographers that he had a formal training in Varin's studio, though his later works showed the influence of Varin, particularly by their storytelling, accuracy of facial expression, finely painted drapery and rich colors. Nicolas Poussin was a French artist known for his paintings and drawings of Arcadian landscapes and historic narratives. Verknüpfungen zu anderen Personen wurden aus den Registerangaben von NDB und ADB übernommen und durch computerlinguistische Analyse und Identifikation gewonnen. Death place Rome. In 1655 Fouquet obtained for Poussin official recognition of his earlier title as First Painter of the King, along with payment for his past French commissions. 1665 (November) Here we find the application of his theory of modes: the painting deals with human actions and has to present them in harmony with reason, in a logical and orderly manner, addressing the spirit, not the eye, with each subject demanding its own specific treatment. Arrives in Rome, after having spent several months in Venice. His work is characterized by clarity, logic, and order, and favors line over color. Juni 1594 in Les Andelys, Normandie; † 19. He worked for three months in the studio of the Flemish painter Ferdinand Elle, who painted almost exclusively portraits, a genre that was of little interest to Poussin. The New Testament provided the subject of one of his most dramatic paintings, "The Massacre of the Innocents", where the general slaughter was reduced to a single brutal incident. New York 1990 ISBN 1558591206 Alain Mérot (Hrsg. At the end of the 1640s, the landscape becomes the indifferent location of the ephemeral destiny of man (The Funeral of Phocion), rigorously constructed upon an intellectual mode, in opposition with the misfortunes of human destinies. He was also expected to provide designs for royal tapestries and the front pieces for books from the royal printing house. He (Poussin) was the first, and only, to capture the nature of Italy. Cephalus and Aurora, 1627, National Gallery, London, Acis and Galatea, 1629, National Gallery of Ireland, Dublin, Sleeping Venus with Cupid, 1630, Gemäldegalerie Alte Meister, Dresden, Mars and Venus, c. 1630, Museum of Fine Arts, Boston, Venus, a Faun and Putti, 1630s, Hermitage Museum, Saint Petersburg, The Adoration of the Magi, 1633, Dulwich Picture Gallery, London, The Abduction of the Sabine Women, c. 1633–1634, The Metropolitan Museum of Art, The Adoration of the Golden Calf, 1633–1634, National Gallery, London, The Crossing of the Red Sea, 1633–1634, National Gallery of Victoria, Helios and Phaeton with Saturn and the Four Seasons, c. 1635, Diana and Endymion, 1630s, Detroit Institute of Arts, The Triumph of Pan, 1636, National Gallery, London, Sacrament of Ordination (Christ Presenting the Keys to Saint Peter) , c. 1636–1640, Kimbell Art Museum, Holy Family, c. 1649, National Gallery of Ireland, Discovery of Achilles on Skyros, c. 1649–1650, Museum of Fine Arts, Boston, The Holy Family with St Elizabeth and John the Baptist, c. 1655, Hermitage Museum, Landscape with a Calm, 1650–1651, Getty Center, The Annunciation, c. 1655–1657, National Gallery, London, "Poussin" redirects here. Another early friend and biographer, André Félibien, reported that "He was busy without cease filling his sketchbooks with an infinite number of different figures which only his imagination could produce. Nicolas Poussin. Learn more about Nicolas Poussin (French, 1594 - 1665). He still had a few important patrons in Rome, including Cassiano dal Pozzo and the future Cardinal Camillo Massimi, but began to paint more frequently for the patrons he had found in Paris. His growing number of French patrons included the Abbé Louis Fouquet, brother of Nicolas Fouquet, the celebrated superintendent of finances of the young Louis XIV. [33], Massacre of the Innocents, 1625–1629, Musée Condé, Chantilly, The Seven Sacraments – Ordination, 1647, Louvre, Religion was the most common subject of his paintings, as the church was the most important art patron in Rome and because there was a growing demand by wealthy patrons for devotional paintings at home. • 1642-1650 : The most fruitful period of his career, creating the most perfect expressions of French classicism, where he seeks the concentration of effects rather than their richness by limiting vocabulary as much as possible > 2d version of The Arcadian Shepherds, 2d set of Seven Sacraments, Eliezer and Rebecca… [17] Nicolas Poussin. In October 1643, Poussin sold the furnishings of his house in the Tuileries in Paris, and settled for the rest of his life in Rome. In Paris, most likely working at the studio of Nancy-born Georges Lallemant. French painter, a leader of pictorial classicism in the Baroque period. This biography of Poussin profiles his childhood, life, painting career, works, achievements and timeline. There he saw for the first time engravings of the works of Giulio Romano and especially of Raphael, whose work had an enormous influence on his future style. [12], Contrary to the standard studio practice of his time, Poussin did not make detailed figure drawings as preparation for painting, and he seems not to have used assistants in the execution of his paintings. 1630 • 1624 : Arrives in Rome, 1st significant order for Saint-Pierre. He survived by selling the paintings he had for a few ecus. Hoc est corpus meum quod pro vobis datur. Rejecting the emotionalism of Baroque artists such as Bernini and Pietro da Cortona, he emphasized the cerebral. Nicolas Poussin est le représentant par excellence du classicisme français. View Nicolas Poussin’s 604 artworks on artnet. The son of an impoverished family, Poussin received some early professional training at home. He commissioned from Poussin some of his most important works, including the second series of the Seven Sacraments, painted between 1644 and 1648, and his Landscape with Diogenes.