$9.99 to buy. Fred Astaire, with his slim figure often decked out in a tuxedo, was lighter on his feet and more velvety in his movements. Get out there and make the most of it!”. You’ll never be this good.” Gene’s dancing, while equally as spectacular in its own way, is honest and human. Aside from the fact that Fred and Ginger did a lot to popularize movie musicals in the 1930s, thus setting the stage for Gene Kelly’s later success at MGM, true dance aficionados know that Fred Astaire was the real deal. They both deserve our acclaim and our affection. Which one you think is better just depends on your preference. Nonetheless, it is warm and human and immensely charming. Coppola wanted to inject some film school realism and gravitas into the film, which is about - and I cannot stress this enough - an Irish rogue who finds a pot of gold and tries to bury it while being pursued by a singing and dancing leprechaun. 500+ Gene Kelly ideas | gene kelly, kelly, classic hollywood Well, Gene Kelly couldn’t have been more different. It is the only time Fred Astaire or Gene Kelly is dancing with a partner and I can’t decide which one is most worthy of my attentive eyes. Reportedly, Gene had wanted to do something new but acquiesced to Fred, the older and more established man. Découvrez sa biographie, le détail de ses 52 ans de carrière et toute son actualité Chicago won Best Picture in 2002, and Moulin Rouge created quite a stir. Fred Astaire, de son vrai nom Frederick Austerlitz, naît le 10 mai 1899 à Omaha (Nebraska). 1940 | CC. When he does a number with someone else, that other person is almost unwatchable in comparison because he or she can’t match Gene’s form and the immaculate lines of his body. But even this role was rather demanding when compared with most of Fred’s as it called for a dark edge: Kelly’s Harry was an opportunist and a draft dodger. There is a supernal effortlessness about Fred Astaire’s dancing. The Barkleys of Broadway was Fred and Ginger’s only non-RKO film, and it was the last film they starred in together. In the mid-2000s I had finished my degree at UCLA and was working in commercial real estate in Los Angeles. He’s eminently likeable, but he seems to be saying, “I know I’m not very good at this, but I’m sure you’ll be kind enough to put up with me until we get to the next song. I look up to these holistic performers. 1970. pp. (Fred eventually got the role anyway after Gene broke his ankle playing volleyball.). So it’s not just that Fred Astaire is a great dancer, perhaps the greatest of all time. Enregistrée par Novin Kz. I started going through Astaire’s filmography, ordering films from Netflix and having them mailed to my grandma’s house so we could watch them together. Unfortunately, his albums suffer from poor production values and a general lack of quality material. But one senses he was often forced to stretch his voice beyond its powers. The choreography is not particularly challenging or innovative, and has a distinctly old-fashioned feel. As much as I love Gene — and it almost pains me to admit it — I frequently enjoy listening to Fred in my car or on my iPod. It gave me great joy to revisit that era in American cinema history, sitting on the couch with my grandmother who had borne witness to that very history as it was being made. And yet such a practice on the part of the public is understandable: when it came to male cinematic dancing in the 1940s and 1950s, the two of them were virtually all we had. Astaire’s motions can be big and expansive, but no one is fooled. Astaire is elegance; Kelly is brute force. Gene’s dancing gives us that illusion and keeps that dream alive. À ce titre, il prend place dans la mémoire cinéphilique au côté de Fred Astaire. He does have some shining moments, “Love is Here to Stay” from An American in Paris (1951) chief among them (below). As we’ve established, Fred came along first. But when The Barkleys of Broadway arrived in the mail, it was revelatory. Over the years, Fred Astaire and Gene Kelly have been compared and contrasted endlessly. MGM lost a huge amount of money on Finian’s Rainbow. Gene Kelly quoted in Shipman, David. The Band Wagon. En 1946, Fred Astaire annonce qu’il ne souhaite plus tourner de films. The true genius of a Fred Astaire film was that he was such a brilliant dancer, the camera could just roll on him as he performed a routine in a single, unbroken take. But when it comes to singing alone, he does suffer somewhat from a comparison to Fred. The typical Fred character didn’t get angry or upset very often, and tended to take life as it came. Gene’s first Broadway show, Pal Joey (1940), featured songs by Rodgers & Hart — songs that flowed immediately from the surrounding action because they had been written specifically for such a purpose. As RKO began a slow descent into bankruptcy (helped along when Howard Hughes purchased the studio and proceeded to run it into the ground) the 1940s and 50s were MGM’s time to shine. In 1955, Fred appeared as the mystery celebrity guest on What’s My Line? The ability to project a song well is something we tend to feel more than we can quantify, but sometimes it does seem as though Gene is guilty of trying too hard even when he is singing. The average viewer may not know how to quantify the differences between Astaire and Kelly, but surely almost anyone can see that the song-and-dance men are indeed very different. Outside of a few standout songs, I seldom listen to Gene just for the sake of hearing him. His dancing is characterized first and foremost by class and elegance. Signaler. I think the answer is clear - Fred Astaire. The role didn’t demand it. 70. But the question remains - who was the better dancer? Fred demurred charmingly and almost bashfully. Performance memorável dos maiores ídolos da dança de Hollywood. It’s just that within the realm of musical comedy, Astaire tended to play the same sort of charming and affable character over and over again. But we can’t much fault him for this “flaw” as his own humility with regard to singing compels us to forgive him. Gene never gave us such a collection of gems. And for those reasons, and more, we can definitively say that in the question of Fred Astaire vs Gene Kelly, old Twinkle Toes surely comes out on top. il y a 10 ans | 491 vues. Some of the great songwriters such as Irving Berlin, Jerome Kern, and Cole Porter were still working, But many of their legendary tunes had already been written and were performed by others, including Fred Astaire. ... Bertrand Bonello . Il réalise ensuite plusieurs films, dont la comédie musicale Hello Dolly ave… Anti-gravity lean in Smooth Criminal, from the film Moonwalker. Which one you think is better just depends on your preference. They were triple threats, but dancing was their true talent — and for this reason alone they are inextricably linked in the public consciousness. Everyone can see his inherent goodness, decency, and humility. It blew me away. It was Freed who, high on the mid-century appetite for musicals, recruited Fred Astaire to MGM after his contract with RKO expired. If Fred is “guilty” of not trying hard enough — something that managed to work in his favor since “less” is usually more when it comes to acting — Gene is equally as guilty of trying too hard. But to the mere spellbound spectator, it’s as though God appointed His favorite angel as Fred’s celestial puppeteer. If you enjoyed this, please hit the green “Recommend” button below so others might also enjoy it. Oxford comma or regular person? It’s always tempered with sweetness and airiness. Where Fred is light and airy, Gene is powerful and earthy. Gene KELLY explique pourquoi, Fred ASTAIRE et lui ont fait appel à des doublures féminines dans le film "Hollywood, Hollywood". After spending the war in occupied Paris, Tinseltown was a revelation, and she soon took it by storm, appearing with the likes of Fred Astaire and Gene Kelly in more than 40 films. To make the most of my time, I decided that I would work there for a few years and save money so I could travel the world (this plan ended up working out pretty much exactly as designed). I don’t mean to suggest that I agree. When Gene made it to Broadway, George Gershwin was gone. Tellement aérien qu'on se demande si ces pieds touchent toujours le sol. But we can’t really judge things like film by the changing standards of different eras. Fred Astaire was 13 years older than Gene Kelly and on Broadway by the time he was 18 (Gene didn’t go to Broadway until he was almost 30). Reportedly, Fred made dismissive and embarrassed comments about his acting to himself as he watched. Il inscrit son nom à plusieurs classiques du genre, tels que Le Pirate, Un Américain à Paris et Brigadoon de Vincente Minnelli, Un jour à New York et Chantons sous la pluie qu'il coréalise avec Stanley Donen, Les Girls de George Cukor ou encore Les Demoiselles de Rochefort de Jacques Demy. The Hay’s Code was on its way out, as was the old Hollywood studio system, and the movie musical was seen as a relic of a bygone era. The dancers’ Broadway beginnings would shape their later Hollywood careers: Fred would concern himself largely with dancing and routines while Gene’s primary concern was a larger one, advancing the art of cinematic choreography and the film musical genre. It has been said that Fred never let anyone watch him rehearse, and would keep guards on hand while he was working out a routine. That is how I first got turned onto cinema - I was desperate to distract myself from how much I hated my job, so I sought solace in the pursuit of knowledge. The talent on display was so pure, it required no camera trickery or additions. In fact, Irving Berlin reportedly got a bit nervous when Gene Kelly was initially tapped for the male lead in 1948’s Easter Parade because the songwriter had such confidence in Fred’s “conception of projecting a song” and less in Gene’s. A lot of the music was from Ira Gershwin, and Oscar Levant plays a prominent supporting role. Là où Gene Kelly se distingue par sa danse athlétique, Astaire est davantage aérien, tout en décontraction. A case in point is a silly affectation that often adorns his voice — a tendency to purposely break it or put an overly cute and precious twist on it. While Fred and Gene shared the screen in the 1974 musical compilation/documentary That’s Entertainment (right), they only danced together once in their prime: in “The Babbitt and the Bromide” number from Ziegfeld Follies (1945). The dancers were featured together in retrospectives in film, television, and even in a commercial. Star Wars or Star Trek? A lack of confidence was common to both men when it came to their singing ability. Forget it. In this world of ours, there are simply some debates that are timeless. Picard or Kirk? Crown Publishers, New York. We can see it all: blood, sweat, tears, and, quite literally, scars. Follow THE OUTTAKE: Medium | Twitter | Facebook. What could be more inspirational and American than the notion that if one works hard enough, one can accomplish anything? It’s a fun little musical, and an interesting slice of film history, but it’s not gonna knock your socks off. Starring: Audrey Hepburn , George Peppard , Fred Astaire , et al. Découvrez vos propres épingles sur Pinterest et enregistrez-les. The days of the MGM musicals are gone, and unlikely to be revived. Because Astaire arrived so much earlier and there was little to no competition from the cinema, Fred spent much more time on Broadway than Gene. 3.9 out of 5 stars 42. Older memories linger for much longer, and when she would see Fred Astaire bang out a flawless routine to an old Gershwin tune she would come alive. Il est probablement, avec Fred Astaire, la personnalité masculine la plus marquante de la comédie musicale hollywoodienne des années 1950. To this end, I do not possess a great deal of technical knowledge about dancing, but I have spent untold hours watching Astaire and Kelly. Kelly never much liked his own voice, and it was only with some reluctance that he agreed to sing at his own house parties, of which there were many. His dancing seems to say, “Hey! The two are a study in contrasts. Perhaps he was never given the opportunity to produce something of better quality. Whenever I wanted to needle my grandma, I would just casually say to her “You know Fred Astaire was clearly a better dancer than Gene Kelly.” Even as she sank deeper into dementia, she would flare up like a rhino at the mere suggestion that Astaire was better. He worked like a pack mule to make it appear that way. Arrangement pour Piano, SSA, Vocal et Trompette. He will not even go to see his rushes…He always thinks he is no good.”. 99 to rent. De Fred Astaire, Gene Kelly, George Gershwin et Ira Gershwin. This is why Kelly was at his lovable best when he played hammy actors such as Don Lockwood in Singin’ in the Rain (1952) or Serafin in The Pirate (1948) or cocky sailors like Joe Brady in Anchors Aweigh, 1945, and Gabey in On the Town, 1949. Gene only played a professional dancer once — in his first onscreen role, Harry Palmer in For Me and My Gal (1942). Voir plus d'idées sur le thème Actrice, Fred astaire, Comédie musicale. Des milliers de lettres de protestation lui parviennent. But they were all false starts, with many of the more famous titles being ruined by crap directors like Baz Luhrmann and Tom Hooper. When he moved it was like lightning - beautiful, fleeting and charged. No cross-cutting or stylish camera angles. 16 août 2017 - Explorez le tableau « Fred Astaire » de Adaline G, auquel 652 utilisateurs de Pinterest sont abonnés. The mechanism is never on display. And no wonder: it was recycled from an old Gershwin show Fred had been in with his sister Adele, Funny Face (1927). Formation Accords, Tab et Paroles Starting Out: The Broadway Stage. And in all but a few of his musical films, this charming and affable character was a role familiar to Fred: that of a professional dancer. cummings, I would argue that nobody, not even the rain, has such soft feet. Does it seem familiar? Like Fred, Gene’s voice was thin, light, and oddly high pitched — and stands in stark contrast to the power and masculinity of his dancing. Wine or beer? It was also the only color film they appeared in together. For a while it seemed like the musical was primed for a comeback. For example, when Fred Astaire is onscreen, there is a humble “shrugging” quality about his acting that seems to be apologizing for itself. It gives us our only opportunity to compare the two stars side by side in their prime and to witness firsthand how great they were. Focus sur Fred Astaire / Gene Kelly. Furthermore, his tremendous charm when putting over a song within the context of the film musical in many cases surpasses even Fred’s. Desfrute! Second Chorus. Astaire is elegance; Kelly is brute force. Java-Lombok: Do we need getters and setters? Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. It heavily influenced the choreography, design and look of Michael Jackson’s Smooth Criminal video, one of the most famous music videos of modern times. MVC Handler Interceptors: Learn how to intercept HTTP requests on Java Spring, Pixar’s SOUL is the Perfect Movie for a World Weary of Living. During this early post-war period of the 1940s and 50s musicals were insanely popular, and MGM became well-known for its lavish productions featuring huge stars like Frank Sinatra and Ava Gardner. But I also have a soft spot, personally, for the guy and his films. ... Fred Astaire and Gene Kelly. So Fred Astaire was the more interesting dancer, and the influence of his films is still reflected even in contemporary pop culture to a greater degree (in my opinion) than Gene Kelly’s. 0:53. ... de Gene Kelly, Stanley Donen 1955 États-Unis 1h41. The film is wild and weird and features some stunning Technicolor dance numbers from Fred Astaire and Ginger Rogers who had not lost a step since their RKO days. Vidéos à découvrir. By necessity, I will be speaking in broad terms and making some generalizations. (Here’s a bit of advice for you kids out there thinking about doing a BA in English at UCLA: employers don’t give a shit about Chaucer!). Video below. All of this background information is important because it affected how the Astaire and Kelly approached acting. But when Gene leaps and soars he never quite takes off because his thick and powerful legs anchor him to the terrestrial plain. He never seemed to be trying all that hard because he didn’t have to. ISBN 0-313-29010-5 p. 351. One place this can be heard in “I’ve Got a Crush on You,” an outtake from An American in Paris. Friedrich E. Austerlitz, le père de Fred Astaire, brasseur originaire de Linz, émigre d'Autriche vers les États-Unis en 1892, où il épouse Johanne Geilus, institutrice née en dans le Nebraska mais d'ascendance prussienne . Fred Astaire was 13 years older than Gene Kelly and on Broadway by the time he was 18 (Gene didn’t go to Broadway until he was almost 30). The most famous producer of hit musicals of the time was Arthur Freed who ran MGM’s Freed Unit and produced a string of classics over a two decade arc, including Gene Kelly’s iconic turns in Singin’ in the Rain and An American in Paris. The job was a dead-end, soul-destroying kind of affair - so pretty typical for a 20-year-old with a BA in English Literature. Whenever I wanted to needle my grandma, I would just casually say to her “You know Fred Astaire was clearly a better dancer than Gene Kelly.” Suivre. Eventually, though, tastes changed. In short, it was a venue for new hit songs to make a first appearance, and the action seemed to have been written around the songs. This becomes evident even with a strong dancer like Donald O’Connor in the number “Moses Supposes” from Singin’ in the Rain. His boundless boyish energy and enthusiasm are two reasons. Voir la fiche film. He couldn’t sing or act worth a lick, but he moved so smoothly and with such delicate precision that it set the gold standard against which all later dancers and choreographers held themselves. He has the gift of being able to impart joy to everyone lucky enough to set eyes on him. But he was, and grandma was wrong. Image courtesy of MGM and Warner Bros. In fact, he met George Gershwin before the name Gershwin meant much of anything, and the maelstrom of creative activity that ensued was a boon to the careers of both men. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Songwriters loved him because of his obvious respect for the lyric and where it should be placed in relation to the musical accompaniment. If Fred’s dancing is characterized by an innate sense of class, Gene’s is characterized by joy. Gene Kelly était un danseur, un très grand danseur. Fred’s dancing says, “Pfft. Fred’s body was longer and leaner than Gene’s, and this higher center of gravity contributes to an overall lightness of form and movement. He was a classically trained pianist and a hypochondriac and during the film he randomly busts out virtuoso numbers on the piano like Sabre Dance and Tchaikovsky’s Piano Concerto No 1. Toutefois, il s'exprimait différemment de son aîné : doté d'une silhouette plus massive, il a imposé un style, fondé sur la puissance et l'énergie, relevant de la performance acrobatique et de l'effort athlétique. This carries over into his filmed performances: even when we are watching him, we aren’t seeing him. D’autres danseurs comme Gene Kelly, auquel on l’oppose; dans un sketch de Ziegfeld Folies sont prêts à prendre sa place. — Fred Astaire. Oughta be one in (glances at watch) just a few minutes.”, In fact, fellow dancer and costar Ann Miller once recalled sitting next to Fred at an event in which scenes from his films were shown. If it weren’t for their dancing abilities, neither Fred nor Gene would be famous today. Rétrospective du festival préparée par Jean CROZIER et consacrée ce soir à Gene KELLY. It is perhaps impossible that two tremendous talents could ever fully satisfy us with only one number, and many fans find this particular number lacking. In these pictures, over-acting becomes almost necessary. Times had changed, and the musical was on the way out. I had first seen Singin’ in the Rain during a film class at UCLA and I remember thinking it was…. It was Fred Astaire’s last starring role in a musical, and by 1968 some of the pep had obviously gone out of his step. Take the production design and costuming from 1953’s The Band Wagon, starring Fred Astaire and Cyd Charisse. He’s a piece of history, and one that I could happily re-visit with my grandmother while she was still with us. Fred Astaire is regarded by many as the greatest popular music dancer of all time. In Fred’s day, the musical stage comedy was far less integrated than it was in Gene’s day. Similarly, director Vincente Minnelli stated that Fred “lacks confidence to the most enormous degree of all the people in the world. Retrouvez ce media sur Ina.fr. It should. While Pal Joey was a much darker musical in many respects than Gene would ever be a part of again, the idea of a more integrated production was one that would stick with him throughout his career. He almost becomes as one of the gods, and as John Updike once wrote, “Gods do not answer letters.” We love him; we are charmed by him; we want to be like him, but he never quite lets us all the way in. Choisissez parmi des contenus premium Fred Astaire de la plus haute qualité. To borrow a bit from e.e. And because of the more integrated form of musicals of which he was a part and the resulting increase in their relative complexity, the roles he played were more demanding. Gene reportedly once admitted he couldn’t do a close take very well. It is obvious the two men admired and respected each other and enjoyed working together, but yes, there’s a certain lack of gusto in the performance. By the 1960s a new wave of young filmmakers were looking to break free from the tired, formulaic tradition of MGM’s big budget Technicolor productions featuring singing and dancing. Fred’s lack of confidence stemmed, no doubt, from the quality of his instrument. (For more on Brigadoon, please visit Marc’s post). Still, despite these flaws, to fans of both men, the number stands on its own merit as an unadulterated treasure. Fred Fred Astaire fait ses adieux au cinéma en 1946, après avoir joué dans Ziegfeld Follies (Ziegfeld Folies), une comédie musicale à grand spectacle, tournée en technicolor et avec une pléiade de vedettes. Finian’s Rainbow, one of Francis Ford Coppola’s first films, was released in 1968 and is often considered the definitive moment when the big budget studio musical died. He seemed to have invisible wings on loan from Heaven that allowed him to take flight in his shoes. On voyage à travers toutes les facettes de la comédie musicale, du ballet aquatique (esther williams) au numéros danses de vaudevilles (gene kelly et fred astaire), en passant par du grand spectacle dramatique et semblable à un rêve et des scènes de comédies en tout genre, le tout , avec un casting de rêve et des prises de vues incroyables! Thin and reedy like his frame, it does not project power or depth. We’ve lost that kind of elemental approach to filmmaking in general, and doubly so in newer musicals. This muscularity and earthiness gives his dancing a greater vitality and dynamism — a volatile physicality and a pop that one can almost imagine hearing in addition to seeing. This was back when Netflix delivered DVDs via mail, and they had a HUGE library, so when I got to the part in film history about RKO and the MGM musicals, I was able to rent them off Netflix and have them delivered to the house. She was slipping into early Alzheimer’s by then, but with dementia the first thing to go are the more recent memories. In spite of his affability and his warm smile, this effortlessness gives him a remote, untouchable quality. Additionally, he had the benefit of working with better musicians and arrangers — most notably with the jazz giant Oscar Peterson on 1953’s release Steppin’ Out: Astaire Sings. But Fred Astaire will forever occupy a special place in the history of American cinema and dance, and in a smaller way in my personal history as his films and his movements delighted me, informed me and and provided me with an experience that I could share with my grandmother in the few years that she had left. INA. À suivre. Gene Kelly’s style of dancing was highly athletic and physical. The story is that both men went out of their way to be accommodating as the number was being developed and rehearsed, which resulted in a finished product that is pleasant to look at but doesn’t really capture the style of either man. Ajouter à une playlist; Voir la fiche film. Gene Kelly et Fred Astaire à Cannes - Archive INA. 23 mars 2017 - Cette épingle a été découverte par Novin Kz. I would much rather have “The Babbitt and the Bromide” than nothing at all.

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